Oof, it’s been a while, hasn’t it? *waves hello*
My last few months have basically consisted of a combination of friends’ wedding events and editing. Much, much time in the editing trenches. Oh, and my YA space opera manuscript is DONE. =D
While I regret my silence around these parts, the good news is that I think I’ve leveled up in editing. I’ve found a process that works for me in terms of getting edits done in a timely fashion, figuring out what edits need to be made in the first place, and going about making them in a way that actually improves the manuscript.
It surprised me to learn that editing is emotionally harder for me than writing. While writing for sure has a hefty share of madness associated, the challenges are not the same.
The key difference is that when I’m writing a first draft, I know it doesn’t have to be perfect, because I can fix it later. But once I’m editing, the pressure is on: now I have to make it right. I have to figure out how, and I have to be able to do it, and if either of those were easy I’d have done it right the first time.
Now, the wonderful thing about beta readers is that they give me feedback on how a story is being perceived by people outside of my own head, so I can tell which parts are working and which aren’t. The problem is that not only do beta readers disagree with each other, they can be wrong — which has nothing at all to do with their reading or analysis and everything to do with the story I’m trying to tell. What different readers look for and react to in stories varies; the story they would tell with the same premise is different than the story I would tell, not just as a matter of content but also of style. I have had AMAZING beta readers, but in the end the story is mine to fix, not theirs.
Even with beta readers I trust, I can never take all of their feedback. From a relatively small reader sample, I have to weigh concerns. When beta readers disagree, it makes me especially aware that any change I make can improve the story for some readers and derail it for others. Obviously, I have to choose whichever changes are best for the story, but — well, if I could tell what changes the story needed that easily, I wouldn’t need beta readers.
Essentially: without outside feedback I can’t tell how the story is working, but the feedback doesn’t always clarify matters; sometimes it just gives me more to worry about. So not only do I feel pressured to get it right, when I’m editing it’s often hard to tell if I’m actually making the story better.
The final problem for me is with tracking progress. Part of how I motivate myself to write is with deadlines and word count quotas. The tracking is key, though, because I never feel like I’m doing enough; numbers and spreadsheets are how I prove to myself that I’m being productive, which in turn makes me feel productive, which then causes me to have an easier time producing.
I can still give myself deadlines for editing, and I absolutely do. But for me, tracking editing word count is nonsensical. I’m not necessarily striving to add or take away words. I could try and edit a certain number of words each day, but depending on the type of editing I’m doing (line edits, rewrites, structural overhauls…) some chapters can fly by, and some take hours or days. I could edit four chapters one day and half of one the next. Unlike writing, I don’t edit in chronological order. Some changes have to be made throughout the text, and sometimes I don’t know to fix something earlier until I’ve made a change later.
I’ve found a solution that works for me in terms of tracking progress — I won’t detail it here, but the main thing is that there is a list of daily tasks that I can cross off once accomplished or, like with word count goals, that roll over into the next day. They don’t go away if I don’t do them, but once I have, I have evidence that I have been useful. That makes the whole process easier, and anything that makes it easier matters. Then I can marathon the work and if I’m lucky collapse in a heap of books for a week or so afterwards, as one does.
Even after the book is drafted, the work doesn’t get easier. If I’m doing my job right, the story gets better, but editing is every bit as much of a skill as writing. All I can do is put my fingers to the keyboard and work on leveling my skills and my story up.